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In the end, all that drama may have helped Don’t Worry Darling. No one needed to have worried, darlings: Olivia Wilde’s second directing feature after her well-received Booksmart topped the box office with $19.

Bette Midler won one of her four Golden Globes out of eight nominations in 1992 as Best Actress in a Musical or Comedy for the movie For the Boys. directed by Mark Rydell costarring James Caan.

In the 2021 fourth season finale of The Handmaid’s Tale, June Osborne (Elisabeth Moss), with the help of her fellow handmaids and the Canadian government, finally took revenge on Fred Waterford (Joseph Fiennes) and brutally murdered her Gilead commander and rapist. It was a long time coming for audiences searching for redemption for their favorite handmaid, now taking refuge in Canada.

The 60th New York Film Festival runs from September 30 to October 16. Founded in 1963 by Richard Roud and Amos Vogel with the support of then Lincoln Center president William Schuman, the NYFF it is one of the longest-running and most prestigious film festivals in the United States.

It started with a kiss. After all these years of cinema, films for, about, and from Black culture are still not entirely known, explored, or enjoyed.

The nonprofit journalism organization restofworld. org is reporting that there are great profits for Chinese creators in reducing Hollywood movies into TikTok videos of a few minutes with the help of machine translation, dubbing apps and VPNs.

If we talk about diversity based on numbers, the presence of Hispanics in Hollywood is far from what it should be, no matter how much we continue to think about it. The Hispanic community is 19 percent of the US population.

Ruben Impens doesn’t shy away from taking risks when looking through his camera lens. Over the last decade the Belgian cinematographer, born in Gent, has been working on numerous acclaimed movies worldwide.

The Eternal Daughter stars the inimitable three-time Golden Globe-nominated actor Tilda Swinton, who takes on dual roles in this mother-daughter horror story about the relationship between Julie Hart, a filmmaker, and her aging mother, Rosalind. Not to be forgotten, Rosalind’s dog, Louis, is played by Swinton’s own dog, also named Louis.

Stories of revenge permeate cinema — so much so that if extraterrestrials had to write up a report on humankind based only on an observational surveying of our most popular entertainment, they could be forgiven for arriving at the belief that accountability was only possible through eye-for-an-eye violence. But there is another side to the pain of loss to that which typically motivates vengeance.