News

  • Festivals

Léa Seydoux and Director, Mia Hanson-Løve Pull Back the Veil on “One Fine Morning”

“Sometimes opposite things happen at the same time in one's own life, like a strange morning – and at the same time, a rebirth,” says writer/director Mia Hanson-Løve (Things to Come, All is Forgiven) on the impetus of One Fine Morning (Un Beau Matin) which premiered in the Director’s Fortnight at the 75th Cannes Film Festival. Speaking after the screening, she explained the very personal narrative of the film which stars Léa Seydoux, Nicole Garcia and Pascal Greggory.
  • Industry

Docs: Thought-Provoking “A Taste of Whale” Ponders Letting Old Customs Die

Given both its title and the overlap in subject matter, a viewer could understandably be forgiven for taking a sidelong glance at A Taste of Whale and expecting an emotional companion piece to 2009’s The Cove. That film, helmed by Louie Psihoyos, found both the director and former Flipper trainer turned activist Richard O’Barry embedding with an elite team of eco-warriors and free divers as part of a covert mission to penetrate a tightly guarded fishing bay in Taiji, Japan, and expose the community’s annual slaughter of tens of thousands of dolphins.
  • Festivals

The Closing of the 75th Cannes Film Festival: the Palme d’Or Goes to Ruben Östlund’s “Triangle of Sadness”

After the big blow of Titane last year, all predictions were possible for the Palme d'Or this year. On the Croisette, tongues were starting to loosen between a young director who questions masculinity (Close), a thriller that confirms the South Korean wave (Decision to Leave), or the film by the Dardenne brothers which could obtain a historic treble with Tori and Lokita.