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Sonia Nassery Cole’s father always told her that she could do anything. Afghan-born American filmmaker and human rights activist Nassery Cole tells HFPA journalist Patricia Danaher that attitude was embedded in her.

Arguably, one of the most anticipated films of the Venice Film Festival, The Last Duel, is the latest historical drama by iconic Golden Globe-winning director, Ridley Scott, based on the book of the same name by Eric Jager, and boasts a stellar cast including Ben Affleck, Matt Damon, Adam Driver, and Jodie Comer. This 14th-century saga is set in 1386, based on the true account of a feud between good friends and fellow noblemen, Jean de Carrouges (Damon) and Jacques Le Gris (Driver).

La premiere mundial de Lo invisible en el Festival de Toronto marca un retorno para el cine ecuatoriano en el importante evento cinematográfico, pero también es casi como un traspaso de la antorcha, porque el último director de ese país que estuvo allí es Sebastián Cordero, quien fue, casualmente, profesor de cine de Javier Andrade y también el director de Ratas, ratones, rateros, el filme en el que éste tuvo un pequeño papel como actor. Protagonizada por Anahí Hoeneisen, quien es también la coguionista, Lo invisible muestra la descomposición emocional y psicológica de una mujer de la alta sociedad que no puede superar la depresión post-parto.

The Hollywood Foreign Press Association (HFPA) today announced the selection for the first time of three non-members to the Board of Directors responsible for overseeing the ongoing reform plan to restructure the organization along the lines of accountability, ethics, and greater inclusion of the diversity of world journalism. This new Board includes 15 total directors – 12 active members and three non-members.

The opening credits of the new documentary Fauci alternates between footage venerating Dr. Anthony Fauci and heated news and radio clips suggesting the world-renowned immunologist and Director of the National Institute of Allergy and Infectious Diseases should be fired, jailed, or even executed, and have his head “put on a pike to serve as an example to other bureaucrats.

Leaving Venice, the morning after the Awards Ceremony, I could see from the international headlines that the awards given out by the diverse Jury of this 78th Venice Film festival, made cinema lovers, happy and content. If the selection of the films and documentaries, assembled by artistic director Alberto Barbera was excellent, the awards did not disappoint.

Dancer. Choreographer.

Granaz Moussavi made a guerrilla film in Afghanistan called When Pomegranates Howl. Not a job for the faint-hearted, it was a challenge from the start: from sourcing funding in Australia, getting to Afghanistan, putting a crew together, to the actual shooting of the movie.

After an impressive debut in which its initial box office figures turned out to be even higher, Shang-Chi and the Legend of the Ten Rings stayed on top on its second weekend. Grabbing $35.

Clint Eastwood spoke with the journalists of the Hollywood Foreign Press in 1973 about playing San Francisco police detective Harry Callahan in Don Siegel’s Dirty Harry and Magnum Force, directed by Ted Post. “One critic made some remark about the first Dirty Harry being a Fascist masterpiece or something like that, but it wasn't that at all.