2016 Foreign Film Submissions

Russian President Vladimir Putin called the breakup of the Soviet Union in 1991 “the greatest geopolitical catastrophe”. One can dispute this notion but what is indisputable is that on a personal level a lot of people who lived in the former Soviet republics suffered a lot of depravity when they suddenly became independent countries in August of 1991 and their lives radically changed,One of these countries was Armenia.

Roberto Sneider has only directed 3 films over the span of 23 years. Dos crímenes, his first film, won several awards around the world, including the Ariel for Best Debut, and the India Catalina in the Cartagena Film Festival for Best Actor to Damian Alcazar and Best Supporting Actress for Margarita Isabel.

A comedic study of male foibles, Chevalier,  is a film made by a woman for women. Consistent with the absurdist vein of New Greek Cinema, Chevalier isolates a group of middle-aged men on a yacht somewhere in the Aegean Sea.

In 2012 the Iranian director Asghar Farhadi was awarded a Golden Globe for his film A Separation. With this universally acclaimed film Farhadi who started his career in the late 1990’s established himself as a major filmmaker coming out of Iran.

From the moment it premiered at the Cannes Film Festival in the Directors Fortnight, this film was an instant sensation. Shortly after the debut, it was acquired for domestic release in the US and France, and was the talk of the town.

One has to admit that for many Americans the only film from and about Kazakhstan did not even come from that country. It was the satire Borat:Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan.

Director Ryosuke Hashiguchi makes a huge comeback with this critically acclaimed filmThree Stories of Love, considered one of the best movies of the year in Japan. Three Stories follows three interwoven tales of individuals learning how to cope when love slips away.

From its first frame, the look and feel of this film seem strangely familiar: murderous thugs in uniform cruelly torment better looking victims who heroically resist their oppressors in France, Poland, Norway…you name it. One almost hears commands and shouts like “Schnell, schnell!” or “Du Schweinehund”.

Liliana Pereira is returning to her country where she will confront a past that meant persecution, imprisonment and the loss of custody of her son. As many other women victims of systematic violence, Liliana must choose between what her heart demands and what her conscience dictates.

This Tamil language film from India is a work of courage. It is truly daring to tackle a an unpopular subject – the threat of HIV/AIDS – with a film about a small group of people almost exclusively confined to one room in which they are sitting and waiting.