- Festivals
Godard: A Master Provocateur Returns to Cannes With “Livre d’Image”
Much has been made, and with some good reason, of the Cannes Film Festival as the last bastion of cinema, a last stand of sorts for the celebration of the pure art form of film in the age of uncertain digital evolution, of streaming video, YouTube videos, and Netflix. The much-publicized querelle with the latter purveyor of on-demand movies has made the Croisette ground zero for a showdown between digital innovators and those who think film should be inextricably tied to its traditions (and its theatrical releases).