Rehana

Recently, Bangladesh has surfaced as a new player in global cinema with a prevalent theme: The emergence of women in the country’s patriarchal society and the demand for equity. Rubaiyat Hossein’s Made in Bangladesh last year and Abdullah Mohammad Saad’s Rehana Maryam Noor (or just Rehana for international audiences) this year, share the plight of female characters positioned at the core of the story.