Seen in Venice

What begins as an old-fashioned family melodrama turns into a more complex existential meditation on the way we live now in Robert Guédiguian’s La Villa  (The House by the Sea). Unlike most Hollywood family sagas, the story doesn’t center on the inevitable conflicts between parents and children – the classic generation rift – but on three late middle-aged siblings, when they reunite at the place where they grew up.

“After Sideways I had hoped this would be my next movie” says multi Golden Globe nominated and winner Alexander Payne – visibly elated to be in Venice and exhibiting his flawless accents in the Italian and Spanish words he interspersed liberally in the talk he had with HFPA journalists in the Excelsior hotel’s beautiful Sala Stucchi. As Hollywood would have it that was not to be, as development purgatory (and the shooting of The Descendants and Nebraska) pushed back the completion of Downsizing for more than ten years.

Paul Schrader’s singular path to becoming one of American cinema’s enduring original voices was unusual to say the least. The writer or co-writer of films like Taxi Driver, Raging Bull (both screenplays were nominated for Golden Globes) and the Last Temptation of Christ and director of American Gigolo, Cat People and Auto Focus, he had never seen a film before the age of seventeen, being more occupied by a strict Calvinist upbringing and college studies with a minor in theology.