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  On our special Rewind  Episode of the Golden Globes Around the World podcast series, we thought it would be a good time to revisit our December 2020 podcast with Chris Evans, who at that time was promoting his limited series Defending Jacob, co-starring Michelle Dockery. 2022 has been another busy year for the star.

“We're on a mission from God,” stolidly maintain the two FBI-looking musicians Jake (John Belushi) and Elwood (Dan Aykroyd) in John Landis’ 1980 classic The Blues Brothers. God, indeed, seemed to have blessed this musical/comedy/cat and mouse chase, plus massive car pileups, that Landis and company were able to concoct.

These days, only hardcore cinephiles would probably recognize the name of Nell Shipman. But for a few short years in the early 1920s, the Canadian-born actress was one of the few female pioneers, along with Grace Cunard, Ida May Park and Lois Weber, able to work in Hollywood as screenwriter, director and producer.

During the casting of Superman (Richard Donner, 1978), Sylvester Stallone was considered for the role among hundreds of actors. Ultimately, then-unknown Christopher Reeve was cast in what became a landmark role for both him and superhero movies.

When a thriving, top-ranked, predominantly African American elementary school is threatened with replacement by a new high school favoring a community’s wealthier residents, a passionate group of parents, students and educators band together to fight for their institution’s survival in the documentary Let the Little Light Shine. After benefitting from a world premiere earlier this year at the True/False Film Festival, one of the United States’ most prestigious showcases of nonfiction cinema, director Kevin Shaw’s movie is enjoying theatrical engagements this month and throughout autumn, in advance of a “POV” showcase presentation on PBS stations later this fall.

In the pressbook for Born to Be Bad that was sent to exhibitors and theater owners to help them publicize the film, the headline on the first page read “Heartless, Glamorous Huntress of Men, Their Hearts, Their Wealth: Trapped in Her Own Pitfalls, Victim of Greed and Rashness. ” The taglines for the film’s posters were equally bodice-ripping – “Baby-faced Savage in a jungle of intrigue!” and “Man-Bait! Trouble never came in a more desirable package!” featuring a photo of Joan Fontaine posing provocatively in a slinky red strapless gown.

It's not every day that a Latin American film wins prizes at a top-level festival. Tengo sueños eléctricos (I Have Electric Dreams), the feature debut by Costa Rican Valentina Maurel won three of the main awards at the Locarno Festival in Switzerland: best actress for its protagonist, the adolescent Daniela Marín Navarro, best actor for the thespian who plays her father, Reinaldo Amien, and best director for Maurel.

Beast was no match for Dragon Ball. In an unusual development, an anime film, Dragon Ball Super: Super Hero topped the domestic box office and beat Idris Elba’s Beast.

Despicable yet adorable, the Minions came to rescue Italy's box office. After sluggish weeks, audiences flocked back to theaters for the animated new entry Minions 2 - The Rise of Gru.

The longer the summer the more boring the charts. Or so it seems.