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News

  • Interviews

American Night: A Conversation with Jeremy Piven and writer/director Alessio Della Valle

When Italian film director, painter, and inventor Alessio Della Valle (who was born and raised in Florence, Italy, and studied film in Los Angeles) had the idea of a thriller set in the world of art, he probably didn’t think that stars like Jeremy Piven, Jonathan Rhys Meyers, Emile Hirsh and Paz Vega, and an Oscar-winning editor like Zach Staenberg (The Matrix) would immediately come on board. But they did because of the strength and originality of the script, and they are now supporting the US limited release of the film, American Night, a neo-noir action thriller set in the New York City contemporary art world.
  • HFPA

HFPA Members Honored at National Arts & Entertainment Journalism Awards

Three Hollywood Foreign Press Association members were among those honored at the Los Angeles Press Club’s 14th annual National Arts & Entertainment Journalism Awards held on Thursday, February 17, 2022, taking home a collective five prizes in a diverse and crowded field of entries and finalists from outlets inclusive of the New York Times, Los Angeles Times, and Hollywood’s major trade publications. Typically held at the Millennium Biltmore Hotel in Downtown Los Angeles, this year’s event was, like so many others over the past two years, impacted by the pandemic, and this time held virtually.
  • Fashion

Kevan Hall: Couturier to the Stars Honored by NAACP

Kevan Hall, haute couturier to the stars and former creative director of Halston, enters his salon – a haven of lush fabrics, classic cuts, and luxurious designer pieces above the bustle of Beverly Boulevard in Los Angeles – with an elegant stride. Tall, with the wiry physique of the very fit, the designer is being honored at the 53rd NAACP’s Image Awards 2022, for a creation of another kind: the ‘Black Design Collective’, which champions black designers, giving them a spotlight and amplifying their talent and expertise.
  • Industry

Forgotten Hollywood: Dorothy Arzner

“When I went to work in a studio, I took my pride and made a nice little ball of it and threw it right out the window,” said director Dorothy Arzner in a 1933 article in Silver Screen magazine entitled “Get Me Dorothy Arzner”. Whatever tribulations she went through to build a career in Hollywood that started in silent films, in an industry dominated by men, Arzner, almost forgotten now, has more major studio directorial credits than any other woman to this day.