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At 77, with a career that started in the early 60s and gave him two Golden Globes for Best Supporting Actor in 1971 and 1973 for his role in Marcus Welby MD, and four other nominations in 1972, 1984, 1985 and 2004, James Brolin could be enjoying the memories of the past instead of thinking on the challenges of the future. But the father of three, including actor Josh Brolin, and husband of Cecil B.

Fashion is fun and fantasy, and some of the fantasy is that many of the looks we embrace hold a different standard for men and women. Not only ageism, warmth, but comfort too.

Before the whole festival imploded under the pressure of a growing number of filmmakers and artists, several films were screened to mixed reactions. Roman Polanski's Rosemary's Baby received mostly glowing reviews, around the theme of 'he's back to the vein of Repulsion'.

The Avengers continue to rule the multiverse and the international box office without much opposition. After a spectacular opening in China to the tune of $ $200 million, Avengers: Infinity War easily sailed into its third week of box office domination with a hero-worthy $324.

Stars and industry leaders converged to Nikki Beach Sunday evening for a very good cause: the Hollywood Foreign Press Association (HFPA), in association with Participant Media, awarded the Kailash Satyarthi Children’s Foundation (KSCF), a nonprofit organization dedicated to ending violence against children, a $500,000 grant. Support for entertainment-related charities, scholarship programs, and humanitarian efforts is a core mandate of the HFPA, which has already donated over $30 million over the past years and has been making a point of celebrating great causes in events such as the Cannes Film Festival.

So much for the early theme of capes – before they could solidify as a trend they disappeared. Today it poured at Cannes.

Wait! What do you mean? Caucasians aren’t the only people making art? Yes, there are some impactful films to be seen at Cannes, but the biggest headline is that the world is represented in all its variations and it’s wonderful to see.

Much has been made, and with some good reason, of the Cannes Film Festival as the last bastion of cinema, a last stand of sorts for the celebration of the pure art form of film in the age of uncertain digital evolution, of streaming video, YouTube videos, and Netflix. The much-publicized querelle with the latter purveyor of on-demand movies has made the Croisette ground zero for a showdown between digital innovators and those who think film should be inextricably tied to its traditions (and its theatrical releases).

What brings silence to the utter frenzy of the famous Palais des Festivals red carpet steps? The sight of 82 actresses and industry women marching up the stairs and then standing in solidarity en masse to bring attention to the disparity to the role of women at the legendary festival since its inception in 1946. Symbolically, 82 women gathered to make a point: this is the number of female directors who have been chosen for the main competition, in contrast to the 1,688 male counterparts in the same time period.

Who cares who wore what on the Cannes red carpet! Women are not a minority in the world, yet the current state of our industry says otherwise.   Women in film - directors, writers, producers, actors - joined forces with the filmmakers responsible for in-competition entry Girls of the Sun  - to make a stand about representation, inclusion, and justice.