News

We’ve looked at the ladies but it’s time for the men to take the spotlight. Some interesting things are happening on the red carpet for men.

Riding a wave of strong reviews and massive fanfare, Warner Bros. ’ Wonder Woman kept rival Universal’s new entry The Mummy in its tomb.

Meher Tatna has been elected president of the Hollywood Foreign Press Association (HFPA) for the 2017-2018 year at the organization’s annual election meeting. Tatna succeeds outgoing president Lorenzo Soria.

According to Denzel Washington, Charlotte Bruus Christensen is on the fast track to becoming a big star in Hollywood. And he knows what he is talking about.

The Los Angeles Greek Film Festival (LAGFF) represents the newest of Greek cinema and follows a new generation of filmmakers who think out of the box. Among the consequences of the crisis Greece has suffered for the last eight years, there are a few positive ones including a reinvigoration of the arts.

Fashion on the Cannes red carpet turned heads as high drama and feminine florals and flounces flourished. The men were suave and groomed, the women demonstrated that the Golden Globes is the carpet to watch for predictors of fashion – many of the trends started in January, as the HFPA honored the best in entertainment, took root.

This weekend Wonder Woman snagged $101. 4 million and led the charts in a heart racing US debut.

California-born model, singer, dancer and actor Zendaya has landed an important role in the upcoming Spider-Man: Homecoming. We were curious to know how music helps her acting.

This year’s Palme d’Or winner The Square is a satirical look at the contemporary art world. The curator of a modern art museum in Stockholm, Christian (played by Danish actor Claes Bang), is desperately looking to create success for the art gallery and himself.

Could 2017 go down as the year of the women despite men taking all of the top awards at the Cannes Film Festival, bar one? The Palme d’Or went to Ruben Östlund, for the Swedish satire The Square. The runner-up Grand Prix went to festival favorite 120 Beats per Minute, by French director Robin Campillo, and Russian director Andrey Zvyagintsev was awarded the Jury Prize for his drama Loveless.