82nd Annual Golden Globes®
00d : 00h : 00m : 00s

film

  • Film

Docs: Phosfate

While advances in treatment have bolstered the cumulative cure rate, incidences of childhood cancer have spiked roughly 30 percent since the 1970s, and it seems not unreasonable to assume some causal link between this statistical climb and a fairly sustained pattern of environmental deregulation and degradation. Phosfate, an investigative documentary newly available on streaming, uses Florida as a compelling case study for this premise, resulting in an agitative work that sounds like a clarion call for greater citizen involvement in protecting water and natural resources.
  • Film

Docs: Being a Human Person (2020)

An engaging, candid documentary look at award-winning Swedish auteur Roy Andersson as told chiefly through the lens of his work on his self-proclaimed last film, Being a Human Person is a movie that gives ample consideration to its subject’s primary professional thematic preoccupations: vulnerability, insecurity, and the weight of mortality. It also serves to celebrate more broadly humanity’s inherent need for art, and its use as a salve for what burdens us.
  • Film

Filmmakers’ Autobiographies: The Ozu Diaries

Tokyo Story, Good Morning, Early Spring, Floating Weeds, Late Autumn, Equinox Flower, The Flavor of Green Tea over Rice are just a few of the most movingly memorable films directed by Yasujirō Ozu.   Besides a legacy of many unsurpassed masterpieces, the prolific filmmaker also left 32 pocket agendas in which he diligently recorded facts and events of his daily life, from 1933 until a few months before his death in December 1963, at age sixty.
  • Film

Docs: The First Step (2021)

The massive difficulties of consensus-building in a polarized world are ably highlighted in The First Step, a sociopolitical documentary that should find engaging reception with both those acutely interested in the sharp-elbowed realm of American political gamesmanship as well as those just contemplating real-world events of the past several years. Taking as its central subject lawyer, author, and activist Van Jones, director Brandon Kramer’s movie, fresh off its world premiere at the Tribeca Film Festival and accompanying presentation at AFI Docs, focuses on the efforts of his nonprofit organization #cut50 (now Dream Corps) as it lobbies for criminal justice reform.