News

  • Industry

Kate O’Riordan on “Smother”, Writing and the Power of Irish Women

Smother was intended to be a show about stepmothers, but then the series, aired by Irish broadcaster RTE, took a completely new turn, explains Irish writer Kate O’Riordan who is behind the show. The novelist, who started in television by adapting “Involved”, her first book, into an ITV series, had several TV credits before Smother, the most well-known and successful internationally probably being Mr Selfridge with Jeremy Piven in the lead.
  • Interviews

Diego Peretti: “Siempre me imaginé como profesor de educación física”

Hoy es uno de los actores más exitosos de la Argentina, que vive en estos días un gran momento profesional: ha sido nominado al Premio Platino como Mejor actor por su trabajo en la película El robo del siglo y a la vez estrena esta semana en Netflix la miniserie El reino, dirigida por Marcelo Piñeyro, en la que tiene uno de los papeles principales. Sin embargo, Diego Peretti no oculta que la actuación se impuso aunque él tuviese otros planes en su vida.
  • HFPA

HFPA Approves Reform Bylaws, New Board To Be Elected by Early September

Three months after a promise of sweeping reform measures, Hollywood Foreign Press Association (HFPA) members approved a new set of bylaws codifying measures that restructure the organization along the lines of inclusion, accountability, and ethics, and greater responsiveness to the film industry and the diversity of world journalism. “Three months ago, we made a promise to commit to transformational change and with this vote, we kept the last and most significant promise in reimagining the HFPA and our role in the industry,” said Ali Sar, HFPA Board President.
  • Film

Docs: Being a Human Person (2020)

An engaging, candid documentary look at award-winning Swedish auteur Roy Andersson as told chiefly through the lens of his work on his self-proclaimed last film, Being a Human Person is a movie that gives ample consideration to its subject’s primary professional thematic preoccupations: vulnerability, insecurity, and the weight of mortality. It also serves to celebrate more broadly humanity’s inherent need for art, and its use as a salve for what burdens us.