Foreign Film Submissions - 75th Golden Globe Awards

  • Golden Globe Awards

Tom of Finland (Finland)

Leather, military uniforms, and muscular men inspired artist Touko Laaksonen, better known by his pseudonym, Tom of Finland, who became a gay icon all over the world, shaping the fantasies of a generation of gay men and influencing art and fashion. This biopic, directed by Dome Karukoski, narrates Laaksonen’s life from his early twenties, when he served his native country during the war against the Soviet Union in 1939, to the middle of the sexual revolution in Los Angeles in the 1970s.
  • Golden Globe Awards

The Divine Order (Switzerland)

Directed by Petra Biondina Volpe and starring Marie Leuenberger and Max Simonuschek, The Divine Order representing Switzerland for the Golden Globes describes the long journey of how this country was one of the last Democracies in the world, to approve the feminine vote in 1971. Switzerland had a very developed economy, but, as late as the 1970s, still relied on the “Divine Order” established in The Bible, considering women as second-class citizens.
  • Golden Globe Awards

Paths of the Soul (China)

Blurring the line between documentary and fiction, Paths of the Soul follows the journey of a group of Tibetan villagers who leave their families and homes in the small village of Nyima, a remote village in Mangkang County, part of China’s Tibet Autonomous Region, to make a Buddhist "bowing pilgrimage" to Lhasa, the holy capital of Tibet. The film takes the viewer on an incredible journey along the 1,200 km National Highway 318 over the course of 10 months that can be almost as painful to watch, following a family through suffering, death, childbirth and relentless religious resolve.
  • Golden Globe Awards

BPM (Beats Per Minute) (France)

Shot in a documentary style, this French film tells the story of the AIDS epidemic and the fight of an activist group in Paris called ACT UP (the European counterpart of the New York group, formed in 1987) to gain access not only to medication, but also for transparency in fighting the disease. It is set in 1990s Paris as the pharmaceutical industry is too slow in developing drugs, and the politicians in government do not know how to handle the escalating crisis amidst defamation, racism and bigotry.